Dominik Lejman’s characteristic working method stems from painting. His images are created by layering image levels over one another, using both analogue and digitally projected layers. The origin of this method is acrylic analogue pieces created in 1998 in which he projected digital content. In the architecture-related interventions, his composite images projected in several layers have the appearance of modern frescos.

His thematic focus is on social structures and their collective demeanour on a geographic space. In his image formations, he concentrates on the active participants, removes all references to the origins and/or connections of the image material and examines the visual structures that emerge in social happenstance. In this way he filters (interpretation) patterns of societal structures out of the confusion of an evermore accelerated present.

LichtRouten Piece: Untitled

In his video installation, Dominik Lejman mixes visual associations with architecture, historical context and socio-cultural history in the façade of the Eduard Hueck building.

LichtRouten-location: Eduard Hueck I Werdohler Straße / Oberstadt-Tunnel